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This eventuated with the camera business sold to Cosmo Digital Imaging. Some specialty cameras came a bit later in 1989 with the Mamiya 6 and in 1995 the Mamiya 7 (which is my all-time favourite camera). After that the digital backs started to appear in the late 1990s and Mamiya started the journey into the digital age, collaborating with Leaf imaging. With the advantage of manufacturing most of the components in-house it became a mainstay of the studio and wedding industry, especially with the RB67, M645, RZ67, M645 Super SLR series. Mamiya was the camera engineer, and Sugawara was the investor and took the managing director role.Ĭustoms House | Mamiya Press Super 23 | Sekor Seikosha-S 65mm f/6.3 | Kodak Tri-X EI 1600 (some perspective correction)įrom 1970, Mamiya established itself as primarily a medium format camera manufacturer. The founders Mamiya Seiichi (whom the company was named after) and Sugawara Tsunejirō initially called it Mamiya Kōki Seisakusho which translates to Mamiya Optical Works). Mamiya is quite an interesting camera company which was founded in 1940 in Tokyo.
#Mamiya tlr best bokeh lens professional
Fuji GSW690III Professional – The Texas Leica.I’ll cover my approach in the experience section, but first let’s find out a bit more about the camera, its lenses (the ones I have) and even how this camera can hurt your pride. I’ve used it quite a bit though, and more recently made sure I used it consistently to ensure I get a proper feel for it. It’s not the first camera I reach for, more of one that I plan ahead for use. I’ve had the Mamiya Press Super 23 for a about four years now. Surfers at Bondi | Mamiya Press Super 23 | Sekor 100mm f/3.5 | Kodak Tri-X